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https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/233ff3e4-ef8c-4222-a609-cc02c1adc443/PUBLIC_ART_RETROSPECTIVE.jpg Public and Private Commissions INSIDE/OUTSIDE - A Public Art Retrospective https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1704231517596-5GX5GOLFB6AYK3UTJ9QH/UNDULATION_above_dusk.jpg Public and Private Commissions UNDULATION - Baptist Medical Center Clay, Florida https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/00c1c97f-140c-4e75-a6d8-cd24b3ab7342/BRUSHSTROKE_CEILING.jpg Public and Private Commissions BRUSHSTROKE - Zhongshan Huafa Plaza, China https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/6124ed13-5328-41b8-8eed-6a9025782079/Pearlman_FLYING_day.jpg Public and Private Commissions THE FLYING TIDINGS WHIRLED - MGM Springfield, Massachusetts https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5850864c-4067-4ef2-9c58-a23edb849247/SOAR_2.1.jpg Public and Private Commissions SOAR - MTA Arts and Design, Queens, NY https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/0295f7f9-a2ca-4441-a2fe-872b2f2b6412/Pearlman_UPLIFT_night_ext_center_vert.jpg Public and Private Commissions UPLIFT - Liberty Mutual, Boston https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/d8d4a854-5db5-41e1-a250-779817c57b06/NEXUS_full.jpg Public and Private Commissions NEXUS - PwC, New York https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5be2d9a0-2e62-4db1-8a27-2264d6ad6b5e/MAX_view_up.jpg Public and Private Commissions HOVER - Leon Max, London https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/91d5ff19-68df-41f4-b783-6dbfa9c60701/RUIN.jpg Public and Private Commissions RUIN/REBIRTH - Norwegian Cruise Lines, China https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/cae86084-02d9-4ffa-b0da-bc2fd27b5591/cascade1.jpg Public and Private Commissions CASCADE/CASCAIS - Lumina Festival, Portugal https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/241be15d-6959-4769-a28b-118ad011ef36/Mia_NewMu_night450.jpg Public and Private Commissions CASCADE - New Museum, New York https://www.miapearlman.com/brushstroke daily 0.75 2024-01-22 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/bcd3e3b2-225f-43b9-b9ca-585e58085744/BRUSHSTROKE_CLOSE2.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/37c34585-83cd-4cd0-80dd-d8985e450af7/BRUSHSTROKE_up.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/26c3163d-668a-4a78-8888-4a5c3fcdcb85/BRUSHSTROKE_UP2.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/e6d8b65c-9036-4ff9-9c17-ff75d8c1a67d/BRUSHSTROKE_CEILING3.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/3038bf13-61e0-4dd4-bf49-07cd7f79e2b8/BRUSHSTROKE_CEILING.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2091daf0-15a8-4239-b979-e830d227136f/BRUSHSTROKE_CEILING2.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/c02db138-1230-4c3e-ad78-a660ce2f8ec9/BRUSHSTROKE_CLOSE3.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/890a9768-a3bb-45b6-9b5e-a2ecada8b086/BRUSHSTROKE_CLOSE5.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/cac0be1b-def0-4e45-9d9d-ca59479e77d2/BRUSHSTROKE_CLOSE4.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/9266e1fa-5e4c-4807-bc2e-5c8f51645856/BRUSHSTROKE_DET1.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/e344492c-873c-4d7e-99b2-26207a8399c2/BRUSHSTROKE_DET3.jpg Mia Pearlman - BRUSHSTROKE https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/0a35b50e-2717-4627-ace8-234b9feae7e9/BRUSHSTROKE_FROM_ESC.jpg Mia Pearlman - BRUSHSTROKE https://www.miapearlman.com/undulation daily 0.75 2024-01-19 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/fcc57fbd-7361-4021-8de8-98fa2d654c0a/UNDULATION_above_full.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/ed028a87-2fc0-4e7b-a8c0-012a309d5dc6/UNDULATION_front_nurses.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/4cccc774-75ee-40d6-a1dd-e8087b3b7552/UNDULATION_day_front_rt.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/9d2c3547-b338-4ebd-a8e0-df50f6d18d16/UNDULATION_day_rt.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/93956cea-6ca5-4bd0-8f27-d5034139176c/UNDULATION_day_back.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/f9f73d44-0fac-46da-b8d1-963764c41835/UNDULATION_day_left.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/c99591e9-ab83-473f-a222-5ed8bd67bec5/UNDULATION_above_close.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/18516300-0644-460a-9315-29a96061a0bf/UNDULATION_above_dusk.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/4188ae82-6b11-4fed-af88-b6bbf2486f05/UNDULATION_detail.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/6de60325-a1f1-42fe-8553-ae947114fc9d/UNDULATION_dusk_back_left.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/fcc95d2e-d4af-4e6c-9253-a64e44d571e3/UNDULATION_dusk_left.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/8fc0c128-c2c5-42b3-b5fa-515a453f1dcc/UNDULATION_dusk_back.jpg UNDULATION UNDULATION, 2022 - a colorful public sculpture by artist Mia Pearlman - painted aluminum in shades of yellow and orange, with cut out patterns, resembling an abstracted fish. https://www.miapearlman.com/flyingtidings daily 0.75 2024-01-22 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/33363755-03ae-4850-9c82-cf34a225853f/FLYING_ext.jpg THE FLYING TIDINGS WHIRLED Photo of THE FLYING TIDINGS WHIRLED, a white, powder coated aluminum, suspended sculpture resembling an abstracted windstorm in the lobby of MGM Springfield. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/000ec383-5268-47a5-b204-2772a6b8d520/FLYING_night1.jpg THE FLYING TIDINGS WHIRLED Photo of THE FLYING TIDINGS WHIRLED, a white, powder coated aluminum, suspended sculpture resembling an abstracted windstorm in the lobby of MGM Springfield. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b90b7c01-abb1-4390-b71b-489a7e5fc762/FLYING_night2.jpg THE FLYING TIDINGS WHIRLED Photo of THE FLYING TIDINGS WHIRLED, a white, powder coated aluminum, suspended sculpture resembling an abstracted windstorm in the lobby of MGM Springfield. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b682e98b-51d0-42b9-9378-594b3f3e8414/Pearlman_FLYING_day2.jpg THE FLYING TIDINGS WHIRLED Photo of THE FLYING TIDINGS WHIRLED, a white, powder coated aluminum, suspended sculpture resembling an abstracted windstorm in the lobby of MGM Springfield. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/ca02f100-b8f5-41a8-aadc-d10116009a41/FLYING_day1.jpg THE FLYING TIDINGS WHIRLED Photo of THE FLYING TIDINGS WHIRLED, a white, powder coated aluminum, suspended sculpture resembling an abstracted windstorm in the lobby of MGM Springfield. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/3b84c89b-ee51-458c-aab8-699f5d44ba2a/FLYING_det.jpg THE FLYING TIDINGS WHIRLED Photo of THE FLYING TIDINGS WHIRLED, a white, powder coated aluminum, suspended sculpture resembling an abstracted windstorm in the lobby of MGM Springfield. https://www.miapearlman.com/makingflyingtidings daily 0.75 2024-01-16 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7e013030-2b67-43f1-8e6e-3ad1f1987183/RENDERING1.jpg Making THE FLYING TIDINGS WHIRLED How do you come up with a concept for a space that hasn't been built yet? Good question! In the beginning of a public art competition, the client provides renderings and/or architectural plans of the site. Sometimes what you get is very minimal and you have to imagine what the space will be like. It's crucial to have a good imagination, an intuitive sense of 3D space...and to build an accurate scale model! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/200e4c56-b84c-41dd-af98-400d0d0b23da/IMG_5271.JPG Making THE FLYING TIDINGS WHIRLED Some artists do everything on the computer, but I like to kick it old school with an actual scale model. A big reason for this is that I start my ideas for permanent metal sculptures exactly the way I do my paper installations: by cutting and sculpting cut paper. That said, with models the first pass is usually pretty rough. I'm not going for detail, I'm going for form, mass and volume... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5516b28c-b410-467c-951c-1decb64c62ac/elevation.gif Making THE FLYING TIDINGS WHIRLED ...I'm thinking about what will work in the space, how people will encounter the artwork, what it will look like from different angles, what kind of lighting it will need, what is safe and meets ADA requirements, and what I can do within the budget. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/104d6afa-25c7-4f79-ab84-2996655bdf91/3972391-brick-wall.jpg Making THE FLYING TIDINGS WHIRLED Because I wanted to represent all of the finishes that would be in the eventual built space, I decided to create my own seamless wallpaper of the textures: brick wall, penny hex tile floor, and concrete. This way I could scale and print them out to make a very realistic scale model. I was also excited to use my self-taught wallpaper design skills! Yes, I'm a nerd. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/01574afc-d53d-47ad-bd59-6917c0bd682e/IMG_3694.jpg Making THE FLYING TIDINGS WHIRLED Photo from the client of their tile selection - that's how detail obsessed I can be. But I know from experience that the more realistic and believable the model, the better shot at getting the gig. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/9dde1bc8-a621-40c6-bb06-9e811eea80a6/IMG_7615.jpg Making THE FLYING TIDINGS WHIRLED Here you can see how I iterate the pieces from totally rough (at left) to finished metal model parts (at right). In between, you can see how the final paper cutout (not shown) had been scanned in, traced and printed, and finally sent to my photochemical etcher to cut out of the scale material (nickel silver). After I finish and formed the model parts, I spray painted them white. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/f5362911-389d-4e49-a76d-7b92078dd4f3/IMG_5590.JPG Making THE FLYING TIDINGS WHIRLED Here's the fancy new model on the floor of my studio with actual lighting! Spray-painted keychain flashlights make great model-sized track lights. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/c720128b-a6f5-49df-912b-7d596acd233f/rendering.jpg Making THE FLYING TIDINGS WHIRLED New rendering! Photo of the physical model Photoshopped into the client's rendering. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/a5e9fa62-58f0-4a21-ae50-7e6db4082a0e/Pearlman_pieces_attachments4.5.18.gif Making THE FLYING TIDINGS WHIRLED Yay, I got the job! Now what? We redo the model AGAIN to get all of the measurements and attachment locations exactly right. You don't want to find out the place you want to drill is already occupied by a beam, an air conditioning vent, or recessed light. This sculpture was particularly complicated, with multiple attachment types to the walls and ceiling, and about 30 kinds of hardware. Never know for sure what's behind those walls until you start drilling... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7b7997dc-ff50-4e3a-8de9-2dac5b3b8151/IMG_1403.JPG Making THE FLYING TIDINGS WHIRLED Now the real fun begins up at Polich Tallix near Newburgh, NY, among the best fine art fabricators in the world, but even more importantly, incredibly fine people. Mike List, their Manufacturing Manager, somehow finds time to almost singlehandedly make my sculptures while managing 30 people and several other projects. I'm so lucky to work with him! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/0f6341de-42e3-423d-9ed0-ef49d519cd17/IMG_1402.JPG Making THE FLYING TIDINGS WHIRLED Orbital polishing off the original finish from the aluminum manufacturer for eventual powder coating. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/01e87df4-ecb9-4c66-b358-80bc94d8cd8e/IMG_1901.JPG Making THE FLYING TIDINGS WHIRLED Watch Mike go! Here he is rolling the aluminum pieces so they exactly match the curves in my model. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7f43c83d-c57b-4973-b4ef-9f022befca1a/IMG_1397.JPG Making THE FLYING TIDINGS WHIRLED The first couple pieces are up in the life sized mockup of the MGM Springfield space at Polich Tallix! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/16ad886b-4265-49a0-8b66-297c5d2d7153/IMG_1893.JPG Making THE FLYING TIDINGS WHIRLED Pieces go up one by one... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/e7df0519-756b-4218-96f2-0c40e906ed4b/IMG_1897.JPG Making THE FLYING TIDINGS WHIRLED And suddenly, it starts coming together. Always a thrill to see a sculpture transform from an idea to a model to a reality. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/bd235040-b1a5-4156-984d-58c7c231c628/IMG_5040.JPG Making THE FLYING TIDINGS WHIRLED It's installation day! I'm not going to lie...this was a Murphy's Law extravaganza and literally everything that could go wrong almost did over the next few days. But these incredible professionals worked nonstop to install this sculpture, with a lot of patience and support from the RAREculture and MGM teams. I am forever grateful. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/c674d21e-f5a7-46a2-983d-690275f49d27/IMG_5079.JPG Making THE FLYING TIDINGS WHIRLED Sculpture or whale ribcage? You decide! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1e5c2788-a72d-4366-80d7-5f4281a773f2/IMG_5066.JPG Making THE FLYING TIDINGS WHIRLED After much measuring, lifting, unwrapping and preparation, the first pieces go up in a very specific order. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/df143c2c-3ee6-47f5-996b-0bc2d511e82e/IMG_5098.jpg Making THE FLYING TIDINGS WHIRLED Taking shape! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b6c2ad41-842c-4caf-8a78-6a01189403c1/IMG_5132.JPG Making THE FLYING TIDINGS WHIRLED These exhausted men are my heroes. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/25498794-24da-4b53-ace6-5caf77a8b77b/IMG_0611.jpg Making THE FLYING TIDINGS WHIRLED Finished! We survived, just barely, and lived to tell the tale. MGM is thrilled, and so am I. Huge thanks to everyone at RAREculture (art advisor), MGM (client), Polich Tallix (fabricator), Kris Collins of MGAC (project manager), and all of the kind people who helped make THE FLYING TIDINGS WHIRLED a reality. https://www.miapearlman.com/soar daily 0.75 2024-01-19 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/dd398954-5ba5-4bdb-b100-13b2bf8f4d41/SOAR_5.1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/07b2eaea-a848-4206-a20b-5906434289aa/SOAR_platform1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/f5675d4b-80b3-436d-bdcc-5363d043a1de/SOAR_2.1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/208cd0a1-a3b2-4748-9ba6-5a73ee1c19a8/SOAR_3.1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/ade9d503-94d3-4824-9528-548da8a381fc/SOAR_4.1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/e9f6ac5e-23af-45a7-88d4-289f97263636/SOAR_5.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/4df96783-1ea5-4539-96ab-759c674114ff/SOAR_6.1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/35130116-073b-4c28-ac6d-4d0106c58b5a/SOAR_6.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/742aaa2c-44fa-45c5-bd82-6ee6481e9af7/SOAR_7.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2fa25635-d941-4ce9-9906-598d5daf6882/SOAR_7.1.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/22eeab4b-87ed-4fe7-b0f0-5a39619de372/SOAR_8.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/164f9b7f-c371-44b9-9973-497d835dbf8d/SOAR_from_street.jpg SOAR SOAR 2016 Stainless steel 18 panels, twelve 4’ H x 2’6” W single panels and six 4’ H x 5’1½” W double panels. Commissioned by the New York MTA Arts for Transit Program for the 80th Street – Hudson Street A train station in Queens, NY. SOAR is composed of 18 undulating stainless steel window screens for the elevated subway platform of the 80th Street A train station in Queens, NY, fabricated by Polich Tallix and commissioned by New York’s MTA Arts for Transit program. It evokes the nearby ocean and sky above while adding some sparkle to the Ozone Park neighborhood, both inside the station and from the street. https://www.miapearlman.com/uplift daily 0.75 2024-01-22 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/83f8518b-bf48-4798-8301-de89266da6b5/Pearlman_UPLIFT_night_ext_rt.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7d24f727-9b24-44ea-a015-e61c2cf736c5/Pearlman_UPLIFT_night_ext_center_vert.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/a31262ee-355b-4614-82b8-05ae9c7aeb6f/Pearlman_UPLIFT_night_ext_center_far.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b0176cf2-8445-4493-be9f-623ecb759308/Pearlman_UPLIFT_day_ext_center.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/4043fcd2-2f9e-4f3c-8616-9d111130d184/Pearlman_UPLIFT_day_ext_left.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/88adb9d4-b7b3-4fa8-96df-c0b4118abb01/Pearlman_UPLIFT_day_ext_right.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/9fdb8ec6-3400-48d9-b67a-3d0c1482474d/Pearlman_UPLIFT_day_ext_shadows.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1ddf1089-7181-41c5-86cf-f5da8e8bfd5a/Pearlman_UPLIFT_day_int_ceiling.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2a18d49b-f50b-4111-94f6-f0daad855768/Pearlman_UPLIFT_day_int_vert.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/4fe6dced-3682-4ee8-81f1-e6c3aacfcf75/Pearlman_UPLIFT_day_int_ceiling_close2.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b6744da2-a1f6-4bcf-a876-68952d182406/Pearlman_UPLIFT_day_upstairs.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/575db77f-c2b8-49dd-acd4-485204cc4378/Pearlman_UPLIFT_int_dusk.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5b95fb6f-cab1-4e7e-bee9-a9ccfe2f63f6/Pearlman_UPLIFT_night_int_full1.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1b6ff334-32be-4c18-b30c-b8edd9c3f781/Pearlman_UPLIFT_night_ext_center_rt_close2.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/788e057b-dff6-4f96-8205-b784bcbe4c2d/Pearlman_UPLIFT_night_int_rotunda1.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/dae5f3fb-1fd5-4d23-a8b7-1b025e05564c/Pearlman_UPLIFT_night_int_ceiling_close4.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2ec921e2-d7fd-40ad-83ae-7396da8a3958/Pearlman_UPLIFT_night_int_ceiling_close.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/8ac8806a-e2ee-48b4-80b7-af2d298dd4fd/Pearlman_UPLIFT_night_int_ceiling_close2.jpg UPLIFT UPLIFT 2013 Stainless steel and aluminum Exterior: 10+ pieces on a 37 x 37 x 38 ft plaza, made of 3/8 inch water jet cut stainless steel. The tallest piece is 14 ft. INTERIOR: 8 water jet cut aluminum pieces hanging from a 36 ft diameter, two-story atrium. Commissioned by Liberty Mutual Insurance. UPLIFT is a permanent, site-specific, indoor-outdoor sculpture made of waterjet cut stainless steel and aluminum, commissioned by Liberty Mutual Insurance for their new headquarters in Back Bay, Boston. This sweeping installation infuses the intersection of Columbus Avenue and Berkeley Street with light, movement and sparkle, a metaphorical bridge between Liberty Mutual and the surrounding community. The timeless abstract shapes composing UPLIFT suggest universally recognizable natural forms like clouds, birds, water, fire or flowers. Light and shadow constantly activate UPLIFT, as well as the atrium and plaza, creating new patterns and reflections throughout the day and night. https://www.miapearlman.com/makinguplift daily 0.75 2024-01-19 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/26edb01a-3ba2-4ffa-8258-caef324d41cf/IMG_4332.jpg Making UPLIFT Like my paper installations, it all started in my studio. Before this amazing model was built by the incomparable Joanie Schlafer in October 2011, I had made a flimsy version in my studio of leftover foam core and masking tape. All of the metal shapes started as India ink drawings on paper, created at that small scale. Then I cut them out by hand in sheet aluminum, traced them back to paper, back to aluminum, paper again, and on and on until I was satisfied. Then I scanned and traced the final cut outs in Adobe Illustrator. Those files were emailed to a company in California where they were photochemically etched out of the scale material. They were sent to my Brooklyn studio, where I sanded and sculpted them into the final forms. You can see the flat rectangles they were etched from hanging on the wall at left. These same digital files were used to cut the final giant pieces out of stainless steel and aluminum. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7f13732b-c75e-409c-9b15-a888b97fa654/01_Day.jpg Making UPLIFT Original proposal - daytime view. Photos of the model photoshopped with Google street view images. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/3a5f261a-83ef-44df-9a7d-49839b1b4c12/09_Night_exterior.jpg Making UPLIFT Original proposal - night view,exterior. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/52830e8b-6e6d-4615-907d-a959fba8fe1e/15_Night_Rotunda.jpg Making UPLIFT Original proposal - night view, rotunda. As you can see, the final sculpture looks a lot like the model! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/24c2526a-60be-4bce-be0e-98a3534cbeae/025.JPG Making UPLIFT Building the "working model" with Joanie at her studio in upstate NY, February 2012. This scale model was larger and designed so the metal pieces were removable. I had to rearrange quite a few things to conform to safety and code requirements. Then with INCREDIBLE accuracy, Joanie hung each piece inside with the exact scale measurements. Mike List, the fabricator, took all the cable lengths, hanging points and base plate locations directly from this model when making the actual sculpture---it was that accurate. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2da30625-f4f3-4e7d-b121-08379a7b2eb8/014.JPG Making UPLIFT Meticulously repositioning pieces. Funny that we tried so hard to keep the model pristine---it was covered in dirt and Sharpie by the time UPLIFT was finished, after spending months at Polich Tallix and on site at the installation. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1e44828e-eccb-4c27-937a-238244512e58/23_PT.jpg Making UPLIFT At the fabrictor Polich Tallix in Rock Tavern, NY, fall 2012. This giant UFO is actually the ceiling of the new building's rotunda at full scale, and built to the exact architectural plans. We needed to build this to test the positioning of all the hanging pieces and plan the exact order of their installation. When the architects saw this, they wished they could ship it to Boston instead of building it again from scratch! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7584840b-ec98-4c74-b7a0-eec4dfc8a3d5/IMG_5481.JPG Making UPLIFT October 2012: the first finished piece in aluminum, and the first exterior piece in stainless steel. You can see the working model in front for comparison. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/878866b0-1154-46c2-b866-3983c5f40042/IMG_6362.JPG Making UPLIFT Going over ceiling plans. From left, my incredible team: project manager, Kris Collins of Mark G. Anderson Consultants, art attorney Amy Goldrich of Cahill Partners, Mike List of Polich Tallix. Saying "I couldn't have done it without them" is the understatement of a lifetime! Kris brought so much experience, knowledge, wisdom, skill, humor and patience to this project, it's impossible to overstate his importance. Not only is he a LEED certified architect, but he has many years of experience working at the intersection of architecture, building, and art projects. Basically, he's the guy that keeps everything on track AND makes sure everyone is happy. Plus he's the only person on earth who can explain a financial spreadsheet in a way I can (sort of) understand! He's truly the unsung hero of this project. As for Amy, all I can say is: every artist signing a contract should have her speed dial!! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b506da11-a37b-4140-a596-88764a07f440/08_PT.jpg Making UPLIFT The working model had a plexiglas ceiling for the lighting designers at Lam Partners to test out ideas. Their efforts are just a little more sophisticated than the dollhouse track lights I wired by hand into the original model! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7de6bf38-0228-410e-9380-b08fe098155e/09_PT.jpg Making UPLIFT Baby piece on mama piece. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/45952f90-e4fa-4c5f-b0b7-cb8fc0f66e63/IMG_6303.JPG Making UPLIFT This is what they pieces look like when they arrive from the company that did the water jet cutting. Mike left the negative spaces tacked in when rolling the pieces because it helps keep the bending consistent. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/023360d7-3d19-41ef-8688-7fefe884ae0d/IMG_6325.JPG Making UPLIFT PT saved the leftovers for me, though who knows what I will do with them! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/e66ed0de-9656-472a-879b-f0216bd57351/IMG_6313.JPG Making UPLIFT Each piece needs to be finished before it's rolled to get rid of the rough surface. That process is called "skinning." This piece had the holes open before rolling, unlike the one pictured above. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b97e8fdc-80e2-4d58-8c2f-2c304cd6df41/13_PT.jpg Making UPLIFT Mike doing his rolling magic. All of this was completely analog! He made pen marks on the model pieces to determine what angle they needed to enter the roller to make the right curve. Then he transfered those lines to the actual pieces. Can you even imagine how many years of expertise you need to be able to do that by eye?? I think this man can make ANYTHING. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/23b1b7c9-9967-4480-bb35-213fa62cc16e/IMG_5476.JPG Making UPLIFT After rolling, the piece gets finished AGAIN. And again. And again! Thanks to Jesse, Ivan and all the people who spent countless hours welding, grinding and sanding UPLIFT so it would be perfect. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/8a43f61f-62b9-42e3-b906-48281a91eddb/IMG_5428.JPG Making UPLIFT Each piece was cut into smaller pieces in order to roll all the curves, then welded back together and refinished. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/9de75dbb-76cd-4253-aa01-451df3f5db85/IMG_5438.JPG Making UPLIFT Reynaldo on the orbital sander. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/b20eade1-dc05-48e3-924a-b2a83ef57092/IMG_5434.JPG Making UPLIFT Kris and Mike talking shop. These guys are THE BEST. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/bca3729c-5bf9-48d0-9d32-e54e42ae2cd0/19_PT.jpg Making UPLIFT One piece of UPLIFT surrounded by the work of some of my favorite artists---what an honor. Extra points if you can identify every artist! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/9383c370-f28f-4606-91f1-7bb0ebc75c73/20_PT.jpg Making UPLIFT Whoops! Someone hung their welding visor on the piece before tack welding the whole thing back together. It's trapped! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/cc479837-21c3-4bf0-a441-f7712d17c02c/IMG_6297.JPG Making UPLIFT Taking in the long view with Amy. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1db5ec64-7abb-4feb-b789-124b94328c3c/IMG_6282.JPG Making UPLIFT Hanging pieces ready to be hung. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/7effa1bb-e573-40d9-82ab-824f7f95e103/24_PT.jpg Making UPLIFT We had to build a full sized window frame and test that we could get the biggest interior pieces through. No problem! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/84085fce-6f3f-49b2-8045-7e4fdcf868d5/25_PT.jpg Making UPLIFT Designing some additional pieces for UPLIFT in May 2013. First in paper, then in masonite, then the masonite which was clamped into curves has to be permanently shaped so Mike can roll the steel pieces to match... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5ca5b403-ab24-4478-8afa-f512b9951c15/26_PT.jpg Making UPLIFT Like this! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/847cf1ce-5a14-469d-bda6-ae3715fa9f98/27_PT.jpg Making UPLIFT Finished at Polich Tallix! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/936c9142-8448-4742-9ef4-f82c29b2429a/28.1_LM.jpg Making UPLIFT Site visit in Boston in October 2012, before the building was complete. CBT, the architects, had to change both the interior and exterior architecture to meet the piece. What you don't see in this photo essay are the innumerable hours in meetings, on the phone, fielding paperwork, organizing budgets, deciphering spreadsheets, or doing email with a team that included upper management, legal, project managers, architects, lighting designers, HVAC specialists, insurance brokers, building code consultants, construction heads, electricians, video producers, etc----pretty much everyone but the plumber. I learned a TON. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2468abf2-1c69-400d-bba6-9c4c650308ac/IMG_5459.JPG Making UPLIFT The building before window glass and limestone cladding. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/779cd2a8-2ca6-4f33-b3ce-9d9e81365828/IMG_1326.JPG Making UPLIFT First day of the installation in July 2013. Model is in place, floors are protected. Let's boogie! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/4057ed1b-9ef5-4091-a70f-119bcb0b4e1e/IMG_1331.JPG Making UPLIFT Interior pieces shrink-wrapped and ready. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/796bb72c-47ac-43d6-aba0-6b5641f10c06/IMG_1327.JPG Making UPLIFT The first interior piece goes up! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/563a2091-9232-4b35-84ca-67ee71b20368/IMG_1384.JPG Making UPLIFT The pieces were hung and repolished on site over the course of a few days. Easy peasey! Or that's how these guys made it look. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/f3ffaf69-606f-44e8-afce-9e8726e78d24/IMG_1438.JPG Making UPLIFT An electrician positions the ceiling lights for me and the lighting team from Lam Partners and CBT at night. Many, many, many nights... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5c3303d1-a646-4b4d-b26d-70433b3d2b1b/IMG_1512.JPG Making UPLIFT Drilling 142 10-inch holes into a reinforced concrete slab to set the base plates. That would have been hard enough without... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/44d214e2-2170-47c2-be5a-82e034206169/IMG_1516.JPG Making UPLIFT RAIN. Not that it stopped these guys! You couldn't ask for a better team. They were so determined to get this done, I had to force them to come inside when it was lightning. Completely and totally badass. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/5744f872-d009-421b-a9fd-b634ee3f6898/IMG_1560.JPG Making UPLIFT And then...the exterior pieces arrived! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/322a0bdb-08e6-466a-9e04-22884614108f/IMG_1567.JPG Making UPLIFT Each one had to be hoisted up and set into place with a crane. Sort of like a game of "Operation," except each piece weighs over a thousand pounds. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/374b45f7-b332-46e6-8ebb-274c49a694e2/IMG_1607.JPG Making UPLIFT Setting each piece onto 142 steel rods. Each one had to be set in perfectly vertical so that the holes in each base plate would fit. Not one problem! Are these guys amazing or what?? https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/0e84c056-3dcd-413c-8ec1-83a3eb2ed64c/IMG_1656.JPG Making UPLIFT Sal and Rey at work, while the local ladies on smoke break check out the action. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/991e6796-e9f0-4b38-8aaf-4aab3f95d7ca/IMG_1696.JPG Making UPLIFT Finally---unwrapping! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/dbf45101-274d-4505-8eaa-063c7bcff9a1/IMG_1705.JPG Making UPLIFT Endless thanks to the many people at Liberty Mutual who made UPLIFT possible: (In alphabetical order) Paul G. Alexander, Jay Gentile, Crystal Holt, Dan Lavoie, Dexter Legg, David H. Long, Christopher C. Mansfield, Sean Murphy, Helen Sayles and Karen Whiteknact. 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https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/50bd7efc-6e0c-42b1-a3b8-5d81fffa2b8a/IMG_4117.jpg PAINTINGS https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/428fd7a7-6e10-43e0-9cf3-01e259404dc6/IMG_4536.jpg PAINTINGS https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/f6f195b5-d94a-4564-92d2-84adac68f346/IMG_4499.jpg PAINTINGS https://www.miapearlman.com/makingbrushstroke daily 0.75 2024-01-22 https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/2751c303-75d1-4ab9-ad33-ad28b05e86f7/BRUSHSTROKE_MODEL.jpeg Making BRUSHSTROKE All of my permanent site specific projects start with a scale model, and over the years, despite my shaky math skills, I’ve come to really enjoy building them. However, figuring out how to say "foam core" in Spanish and finding it during the Covid lockdown took weeks. Nothing was open and no one understood the materials I needed. I finally found everything I needed at Servei Estació in Barcelona, one of the coolest art/craft stores ever! I think we may have broken some laws by driving there during lockdown... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/56013d1b-44e5-4b25-a118-e19161d66075/BRUSHSTROKE_MODEL_MIA2.jpeg Making BRUSHSTROKE I built the model for BRUSHSTROKE in my brother-in-law’s unheated garage in a small village in Catalonia in January 2021, where my family escaped so our young kids could go to school during Covid and avoid the snow for a few months. As evidenced by my two pairs of socks + insulated slippers, two pairs of pants, three sweaters and warmest hat ever from the dollar store in my Brooklyn neighborhood! This model was super complicated to build because every floor in the Zhongshan Huafa Plaza is a different shape. I needed a model so I could understand the void in the center and where I could make a sculpture in it. The top level around the windows is actually a park 20+ meters above street level. I built a model where half the building could slide out so I could get my hands inside to play with the pieces. The hardest part honestly was finding model materials—I had to order metal roof flashing from the U.S. to make the sculpture pieces! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/d5fee62a-c7fe-4074-8680-39d783527b5b/ZHP_CONSTRUCTION.JPG Making BRUSHSTROKE This was the state of construction when I came into the project. But I had a lot of renderings and architectural plans which I diligently converted from millimeters to inches and back to millimeters, because I was in my brother-in-law's garage with an American ruler and a metric cutting mat. Have I mentioned my shaky math skills? https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/75eacbeb-713e-4d65-b507-105c41cd3e7a/MODEL1_2.JPG Making BRUSHSTROKE I didn’t have time to vectorize and cut metal pieces like I usually do, so I made paper cut outs and taped them to the metal forms (made of Home Depot roof flashing). I photographed these from every angle, from which UAP in Shanghai somehow made a digital 3D model. This allowed them to print the forms for an enormous physical scale model—like 2 meters long. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/c5f019cf-e3bc-4595-9dd5-fe6d0f141da1/IMG_2132.JPG Making BRUSHSTROKE After we returned home, I made a slightly bigger scale model in my Brooklyn studio with some necessary tweaks to the sculpture, and the rest of the project was all digital. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/57b75578-0ee6-4506-a5d0-506454151e74/RENDERING1.jpg Making BRUSHSTROKE UAP created renderings for me to see how the sculpture would look as we made various to tweaks to the position of the pieces, heights, sizes and colors. These types of changes are necessary in every project. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/ea845bfb-d617-40d0-8af7-d81e4e60d92b/RENDERING2_1.jpeg Making BRUSHSTROKE They also made super cool, animated 3D models I could manipulate from my studio. Additional changes were made over Zoom calls using screen sharing at 10pm Brooklyn time/10am Shanghai time. I directed the changes ("Could you please move the bottom of piece #5 clockwise 30 degrees?") and UAP Shanghai changed the sculpture in Rhino while I watched. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/c3b9b27f-b5b8-4773-8c83-f0290534f5b2/BRUSHSTROKE_COLORS.png Making BRUSHSTROKE We emailed Photoshop files back and forth to refine the colors. This was especially nerve-wracking, because so much of how color appears depends on lighting, which I couldn't control. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/33aaa6a0-bbdf-49ac-a991-f46cbb6090bd/WhatsApp+Image+2022-04-06+at+1.09.18+PM.jpeg Making BRUSHSTROKE Zoom calls live from my bedroom during Covid lockdown when I couldn't get to my studio... https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/115623a3-671c-4a9c-ad22-481a5fd6ad4b/DSC_0639.JPG Making BRUSHSTROKE Meanwhile in Shanghai, UAP was laser cutting the aluminum components for each part and printing them with an exact, high resolution scan of my original ink brushstroke. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/0eab39df-85f5-452c-9ac2-f9ad6acd0f3b/DSC_0659.JPG Making BRUSHSTROKE Some of the fine folks I never had the chance to meet, who made my sculpture. Thank you! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/1c9d23dd-d3a3-472f-851d-7148c976ba14/DSC_0693.JPG Making BRUSHSTROKE UAP hung all of the pieces at their correct angles (but not heights, for obvious reasons) for the client to see. You can really get a sense of how big BRUSHSTROKE is here. https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/ceba31a2-7364-4392-a7e6-d1c63b841417/DSC_0672.JPG Making BRUSHSTROKE Wrapped and ready to go to Zhongshan! https://images.squarespace-cdn.com/content/v1/6594292b98ab3e105ef039e9/ffaf7af4-de5f-4707-88ba-7bd3db13b275/FINISH_SAMPLE.jpg Making BRUSHSTROKE In all this time, the only physical thing I touched was one finish sample! I hope one day I can see BRUSHSTROKE in person...ONE DAY SOON. Thank you so much to all of the people who made this sculpture a reality: the Huafa Corporation, UAP Shanghai, and no doubt many others. 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